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swivel

by Brendan Regan

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1.
Trigger Town 03:45
I am right now this precious young man bursting at the seams I am right now this tired old man full of memories I am right now two people at once; how can that be? We can sit down, laugh at ourselves, and avoid catastrophe Is it this town where time stands still and I can never breathe? Is it this town where I might have peaked that’s holding me back? In this small town, promises made and never followed through Each time I come back, try as I may, I know I’ll never leave How can I be home again? In this small town, crossroads and cornfields How can I be home again?
2.
When you look at me with those eyes I know everything is gonna be alright When your almond eyes have no reserve Well, I know I may not, probably, maybe hope to deserve When I count backwards from halfway there I see the all the years led up to you And I’m headed home, and I’m back on track And I’ll see those eyes aspire to things I swore I’d never dream Oh, in these moments, time breaks down Breaks down enough to let the seconds bloom Oh, in these moments, time breaks down And then the clock ticks, and I hope the memory holds
3.
Little Flame 04:14
How did things lead to this Nightfall under a sad kitchen glow? The family came along Needed help; not aspirations Their eyes and mouths, they cried out to me Rehearsals would have to wait Promoters all ignore me now Tainted by responsibility Whatever doesn’t go my way Whatever detours come Gotta have faith as I turn away That little flame will still be burning However dark the lonely night However dim the light Gotta have faith as I turn away That little flame will still be burning I put my passion on a shelf Just to pay the rent The stream of life Forks two ways and Forces you to choose It’s not quite regret That bubbles up while family’s asleep That next song lives on waiting the right night Whatever doesn’t go my way Whatever detours come Gotta have faith as I turn away That little flame will still be burning However dark the lonely night However dim the light Gotta have faith as I turn away That little flame will still be burning
4.
I will never chase you away again I will never dig up the way we’ve been I will never look past you; you’re new each week I will always work on Us peacefully All I need is a love who won’t run away Who keeps those small promises each day I will never let you walk alone I will never forget that we’re The Home I will never leave here without you I will always treat our love like it’s brand new All I need is a love who won’t run away Who keeps those small promises each day
5.
She decided to fly on wings she hadn’t tested Now, I’m all alone and she’s grounded somewhere out West I told her on a foggy night, “You don’t need to love me best But please stay for a while in our unremarkable nest” Has anyone seen wings? Aloft or down, pointed to the ocean? If she’s stranded, tell her she can come back for a long while Her plumage was so fine, iridescent blue I get why she wanted to try to fly on wings too new I told her on a foggy night, “You don’t need to love me best But please stay for a while in our unremarkable nest” Has anyone seen wings? Aloft or down, pointed to the ocean? If she’s stranded, tell her she can come back for a long while
6.
Gonna stop fabricating, stop typing out the words Scenes that may never play out, take solace in what remains I’ll stop chasing the story, ravens in flame in the dusk No more blind investing in what I want to exist I’m gonna sit right down in the middle of unfolding Sit and stare at weather gliding by me Say nothing about life perpetuating Do nothing with phantom possibility Pen has lifted from paper, the tobacco trestles and clouds Will have to find a new way to get their minutes of fame The fantasies and tall tales still come and visit me But I don't seem to care anymore, and they leave eventually I’m gonna sit right down in the middle of unfolding Sit and stare at weather gliding by me Say nothing ‘bout life perpetuating Do nothing with phantom possibility
7.
Opus Girl 04:39
All my life, I’m writing Always falling short of something What seems so epic now Loses fire as time goes on I’ve heard the greatest works Are never finished; always worked on And you, my dear, are coming You’ll grow from helpless into helpful And show me what really matters And keep me working ‘till the end You are the song The greatest music that will bear my name All the selfish things I’ve constructed Don’t stand up to the twinkle in your eye
8.
I look back through a door at a past that lasted too long It swings shut with a creak. Resigned, I turn back around I’ve fallen apart; off a pacifying wall And all the king’s therapy can’t put me together again I move forward at last with nothing left to guide Each move has the sting of Fear (my oldest friend) Old friend, I must say goodbye Because you don’t treat me like the old days I’ve got better things to do and people I won’t leave behind

about

"With a sound that seems to echo from a distant era[,] and delivered in his soothing brogue, Brendan Regan has delivered in 'swivel' an album that examines the very duplicity of human nature. It’s the type of record which reaches deep into our psyche to resonate on a primordial level."

The Midlands Rocks

"...this longer peek into his cautious, bittersweet formula that touches on nostalgic folk ideas and gothic, pop and country moments draws the listener in immediately."

8 out of 10, Take Effect

"...eight indie-folk hymns that stem from an ultra-creative and eloquent mind."

A-, The Daily Vault

credits

released August 18, 2023

Brendan Regan: Acoustic guitar, vocals
Colin J. Nelson: Production, mixing, sound engineering, bass guitar, drums, percussion, backing vocals, synthesizer
Rebecca Lomnicky: Fiddle
Skyler Mehal: Electric guitar
Shadrack Scott: Piano, keyboards
Andrew Rudd: Percussion
Dan Tyack: Pedal steel
Tekla Waterfield: Vocals on 'Overpromises,' backing vocals
Kate Olson: Woodwinds
Carl Saff: Mastering
Michael Salamon: Design
XO Publicity: Promotion

Registered work: SRu 1-552-546

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Brendan Regan Seattle, Washington

Brendan Regan spent his early years drumming for bands in Toledo, Denver, and Seattle. Then, one early morning after a gig, unloading drums in a Seattle deluge, he knew his drumming days were done. The next day he sold them, bought a guitar, and began pouring out bittersweet, dark, personal hymns and lilting melodies delivered in an "oak-aged rasp." ... more

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